Barratt Galleries - Alstonville

One of the trends that is adding so much to the depth of life in Regional Australia is the progressive movement of creative people from the metros seeking new life styles who the join with local creative people.

Barratt Galleries is a contemporary art space located in the historic town of Alstonville in the Northern Rivers region of NSW. The region is renowned for the diversity of its local art producers, from the crafts to the contemporary.

Whilst artist/Director Julie Barratt will be showing works from national and international artists, Barratt Galleries is dedicated to showcasing the excellence and diversity of the work of regionally based artists.

Although the gallery has a focus on limited edition prints, works on paper and artists’ books however the solo exhibition space may exhibit works across all media.

Julie Barratt, as a producer of artist books herself, has an affinity for the medium, and seeks interest from producers and collectors of artist books for collection, acquisition, representation and exhibition.

Contact Details

Barratt Galleries is open Wednesday to Sunday from 11am – 4pm. All enquiries should be directed to Julie on 6628 0297 or 0427211882

Email : INFO@BARRATTGALLERIES.COM.AU

Address: 5 Bugden Avenue, Alstonville

Australia's Regional Differences - Melbourne vs Sydney

Photo: Hotel Windsor, Melbourne. This has been an all time favourite pub of ours for many years.

It may seem odd on a blog dedicated to non-metro Australia to use Melbourne and Sydney as examples to illustrate my continuing discussion about regional variation across Australia. However, this was such a nice example that I could not resist it.

The University of Melbourne maintains a blog documenting the experiences of its students abroad. Headed World's apart despite living so close, this particular entry describes the experiences of two students from different parts of Australia now studying in Montreal.

The writer is using the entry to make a point about the policies of the Howard Government, but in so doing she brings out regional differences in a very clear way. The story begins:

I never believed I lived a sheltered life in Melbourne, I went to a non-denominational, non religious school prominent with a variety of nationalities, races and religions and living in Melbourne I had come across a diversity of people. Despite the image, from many I have spoken to, that an Australians means someone who drinks beers, has long blond hair, is a surfer and wears only broad shorts and a necklace (well bikinis for females…of course) I have always been aware of the diversity of Australians. However, it was not until I came to Montreal and spent a good portion of my time with McBlonde that I realized how different we are within the one nation.

As happens to many of us when overseas, we have to explain Australia. She goes on:

As McBlonde and I were the only Australians in a large group of French we were constantly being questioned on what Australia was like in comparison to Canada, Montreal and the French lifestyle. However despite being good friends, McBlonde and I, were literally chalk and cheese.

She was from Sydney, I have forever lived in Melbourne, she was a country girl, I am a city girl, she does not think the coffee lifestyle is very big in Australia, I think coffee is a daily must, she is big on surfing and hanging out at the beach, I am big on eating at different restaurants and trying new cafes, she is into pubs and I am into bars. It did not matter what it was about McBlonde and I would disagree on all aspects of the lifestyle of Australians. We even had completely different vocabulary and accents…coming from the country McBlonde’s was much stronger and more apparent than mine.

So here we have a culture clash requiring two people from the same country with apparently similar backgrounds to get to know each other.

Through getting to know each we discovered while there are similarities about Australian lifestyle, the common bbq and cricket games, the trips to the beach and the knowledge that most Australia men indulge in endless hours of beer drinking, we realized that Sydney and Melbourne are completely different. We began to understand the reason why I thought a certain way was because I grew up in suburban Melbourne and McBlonde thought a certain way because she grew out in country NSW and attends university in Sydney.

Melbourne is multicultural, full of difference and very European in ambiance whereas Sydney is more American in appearance and lifestyle. It came to the point where when asked a question about what Australia was like in regards to renting an apartment, shopping, food, basically anything, the sentence would always start with “Well at least I know in Melbourne (Sydney when McBlonde was speaking) it is like this…”

Now there are aspects of this analysis that I would disagree with.

Melbourne is indeed a European city and becoming more so. By European I do not mean white, although Melbourne is less ethnically diverse than Sydney. But the city does have a cafe society and style that would be instantly familiar to anyone who knows Europe. Further, the buildings themselves such as the Hotel Windsor retain a European style.

Sydney, by contrast, is constantly reinventing itself, in some ways tearing down its past. Like McBlonde I grew up in country NSW, although I do not speak in the same way because the area that I came from had a far more "genteel" regional accent.

I am older than the writer and her friend McBlonde. The Sydney that I used to visit was far closer in visual feel to the Melbourne of today. In Melbourne the Hotel Windsor survives, whereas the Sydney equivalents such as the Metropole were torn down many years ago. Melbourne retains a visual unity, while Sydney has fragmented into multiple cities.

Where I part company with the writer to some degree is her assessment that Sydney is more American in appearance and lifestyle. Yes, it is more American in appearance than Melbourne, a charge levelled at the city for at least the last forty years. But Sydney is far more varied, more polyglot, than Melbourne, with a strong Asian-Pacific feel in parts contrasting to Melbourne's European style.

In all this, I regard Australia's regional diversity as one of the unsung life style strengths of the country.

Still using the Sydney/Melbourne example, I love visiting Melbourne with its cafe society because it is so different. For its part, Sydney is a wonderful city to visit because of its variety and the visual beauty of the Harbour backdrop. It's just an awful place in which to live!

When we extend this analysis across Australia, we are left with a smorgasbord of different life styles, cultures and attractions. Sometimes it can be difficult for those of us living here to see it. We actually have to leave the country to see the differences.

Postscript

In the last few days, the airwaves and press in Sydney have been full of the attempts by the Lord Mayor to get licensing laws changed so that Sydney can have more small bars and cafes to rival Melbourne. It appears that Melbourne's social, cultural and tourist edge is getting just too great!

Since first adding this postcript I have found the story in the Sydney Morning Herald.

Introductory post in series. Next post. Previous Post.

Judith Wright's The Hawthorn Hedge - Regional Australia writers

Photo: Just about in the middle of nowhere, above the gorge, sits this orange tree. Presumably, once upon a time, a homestead once sat nearby. From Gordon Smith.

Across the Australian countryside you will find remnants of past settlement. Now they just sit there. Once they were a symbol of human hopes and dreams.

Judith Wright is one of Australia's premier regional writers. While she wrote on many things, her writing was formed by her early experiences in New England 's Northern Tablelands, the same area covered by Gordon Smith's photos.

Judith Wright's poem The Hawthorn Hedge captures one element of the New England experience. The very title is indicative of this, an English plant transplanted into an Australian environment to provide a feeling of home.

The poem begins:

How long ago she planted the hawthorn hedge -

she forgets how long ago -

that barrier thorn across the hungry ridge;

thorn and snow.

The phrase hungry ridge echoes another traditional Australian bush phrase, hungry country. This is country that has to be fed, but does not give a proper return for the effort. Snow, because snow is not uncommon in the high New England country where Judith grew up.

The poem goes on:

It is twice as tall as the rider on the tall mare

who draws his reins to peer

in through the bee-hung blossom. Let him stare.

No one is here;

We can see the hedge grown tall. However, it is not true that no one is there.

Only the mad old girl from the hut on the hill,

unkempt as an old tree.

She will hide away if you wave your hand or call;

she will not see.

Obviously the rider know that she is there. So we are left wondering why, how she came to this? Judith's next verse drives home the point:

Year-long, wind turns her grindstone heart and whets

a thornbranch like a knife,

shouting in winter "Death"; and when the white bud sets,

more loudly, "Life".

Now Judith contrasts present and past:

She has forgotten when she planted the hawthorn hedge,

that thorn, that green, that snow;

birdsong and sun dazzled across the ridge -

it was long ago.

She goes on:

Her hands were strong in the earth, her glance on the sky,

her song was sweet on the wind,

The hawthorn hedge took root, grew wild and high

to hide behind.

I grew up in this country. When Judith writes, I can see and understand.

Entry Page for Posts about Judith Wright's poetry

The Differing Cultures of Regional Australia - Polyculturalism

Photo: Gordon Smith, Tranquility. A gorge pool near Armidale in New England's Tablelands country.

One of the recent debates in Australia has been about the meaning and role of the word multiculturalism.

I really don't like this word. It implies, or seems to imply, that Australia is nothing but a series of different cultures living together in harmony. Now there is nothing necessarily wrong with this in itself. But Australia is more than that.

To begin with, we have a strong and vibrant core culture acting as a centre piece for all the different groups making up Australia. We fight about elements of this culture, but it exists.

Advertising agencies are one of the best signs because they focus on those things that will help them sell product. Here I found a story from last year that is good because it includes links through to video of some of Australia's best ads. I suspect that both Australian and international visitors will find these interesting.

From our core culture we move to Australia's increasing diversity. We can think of this in two ways.

The first way is the way the core culture itself varies across the country. Take language. Australia does not have the pronounced regional variation to be found in the UK or the US. But as I began to explore in an earlier post, the English language itself does vary across the country. Further, I suspect that these variations are increasing.

The second way is Australia's changing ethnic mix. Australia is still a land of migrants, with each new group adding something to the melting pot. In the beginning, each group stands out because of its different features, adding variety to the visible pattern of Australian life. Then, with time, they have an impact on the core culture itself.

Sometimes these changes are obvious and dramatic. Take what we eat and drink. Here each wave of migration has had an impact.

The most commonly cited example is the transformation in our diet associated with the mass migration program from Europe after the second world war. Prior to this, wine was very much a minority drink, concentrated in particular socio-economic classes or in particular regions such as the Barossa in South Australia or the lower Hunter. Now wine drinking is wide spread across Australia, helping fuel the spectacular growth of the Australian wine industry.

Sometimes the changes are less obvious. In NSW differing patterns of chain migration -Irish Catholics in the south, Scots Presbyterians in the north - in the early days of European settlement created different social and voting patterns that survive to this day.

Over the last three decades, the visible expression of change associated with migration has become more obvious simply because Australia has been admitting migrants from so many countries and different ethnic groups. I suspect that Australia now has a resident community from pretty much every ethnic group on the planet.

This change may not be as great, for example, as that in Auckland. I explored the New Zealand case in a post on my personal blog, Pasifika and New Zealand's Future. However, the effect has still been dramatic, in so doing further increasing regional variation across Australia.

Two factors are at work here.

The first is continuing chain overseas migration. Sydney in particular remains the main entry point, increasing the number and diversity of the overseas born in that city.

The second is internal migration. Again, Sydney in particular has been losing locally born to other parts of Australia.

The net effect of these changes have been changes in the look, feel and life of different parts of Australia. These changes add to the visitor fascination for Australians and overseas people alike.

I have started to use the word polycultural to describe this whole process in which we combine an evolving core culture with its own regional variations with a variety of other cultures, constantly creating new amalgams.

Introductory post. Next post.

The Differing Cultures of Regional Australia - Introduction

Note to readers: I am now using this introductory post as an entry point to the various posts that I have written on or around this topic.

Back at the start of June in a comment on one of my posts, an American set out this challenge.

Hi, I'm an American. I was surfing the Internet, trying to learn something about Australia's diverse regions from a cultural perspective as opposed to a merely geographical one. All I turned up was information on Aborigines. Where's the Australian Paul Bunyan? Where's the Johnny Appleseed? Where are the pictures of Eskimos contrasted with lumberjacks, miners, farmers and fishermen? You are right. I almost had to conclude that Australia has no regional flavor at all. (Search for "regional flavor" and you will turn up many websites on wine, but none that pay more than lipservice to culture.)

Now this challenge, one that reflected one of my own complaints about the failure of our regions to present their unique features, actually hurt. Since then I have begun to tease out some of the cultural differences between Australia's regions.

This is no easy task. Australians think of themselves first as Australians. Then they assume that the way they think is in fact simply Australian. In reality, it's not for all areas have their own unique style.

The problem is that to understand and present these differences you actually have to live in an area, submerging yourself in the local culture. Then you have to retain sufficient objectivity to analyse and understand what is in fact local. This is far from easy.

I have neither the time nor the money to travel across Australia submerging myself. But what I can do is to point to some of the more obvious differences, hoping that someone else will come behind to do the more detailed work.

This series:

Next post

Related Material

I will be adding links to related material in due course.

The Circuit - World Class Top End Drama

Photo: Drew Ellis, the latest lawyer to join the chaotic and challenging world of the Kimberley Circuit Court.

The Circuit follows a magistrate and an entourage of court officers and lawyers on a regular five-day 2000 kilometre round-trip to dispense justice to the remote communities of north Western Australia.

It’s a tough gig for anyone, but for Drew Ellis, a city blackfella, it’s a rude awakening as he quickly comes to realise that one law for two cultures does not always equal a fair go.

The Circuit is a marvellous show for anyone who wants to see just how different and varied Australian life can be. For overseas readers who really do want to see a different world, the series is coming out on DVD.

Top End Theatre

Photo: Tracks Theatre Company, Darwin

One of the things that I know far too little about is the emergence of new theatrical styles in Australia's top end.

The top end has always been very different from the south of the country, certainly very different from the New England world in which I grew up with its squatters; mansions and stylised manners.

It's not just the indigenous presence, although that is very important. Rather, the top end has always been close to Asia and has been a unique melting pot. This is now reflected in the emergence of new theatrical forms combining a range of very different influences.

Sydney has long provided itself on being multicultural, and indeed that's true in the sense of different cultures living together while remaining separate. Darwin is polycultural in that the cultures are melding to create a new form.